Each year on Halloween at PTB we take a moment to appreciate something from the world or lore of Konami's Castlevania franchise, but this year we're looking at something a little more Castlevania-adjacent. Koji Igarashi's long-awaited spiritual successor to Castlevania, Bloodstained: Ritual of the Night, finally reached stores earlier this year and one of the hidden areas that players may overlook at a tribute to those original Castlevania titles for the Nintendo Entertainment System. The 8-Bit Nightmare sends heroine Miriam into a side-scrolling level fashioned after the classic NES trilogy complete with legally distinct versions of ghosts, zombies, and bone dragon pillars originally made famous by Igarashi's previous series. Kotaku tells you how to find the area (it's twice hidden as a secret room accessible from another secret room), but beware: it's a challenge!
After five years of trying to make its live TV streaming service a success, Sony has announced that it is shutting down PlayStation Vue. A precursor to similar services such as Hulu's live TV service and YouTube TV, PlayStation Vue offered a variety of so-called "skinny" bundles of cable and local broadcast television channels as a streaming replacement for traditional cable TV. The idea was that instead of paying a cable company for a glut of channels you'd never watch just to get access to the few that you do want, Vue would let you buy smaller packages of channels such as AMC, FX, and TBS. This was a great idea when the service first launched, but in an effort to stay competitive, management began adding additional bundles of channels to even the most basic levels of service while gradually inflating the price and it wasn't long before the monthly cost of the service was comparative to the traditional cable model it was trying to eschew. Worse, the new channels added to the service was some of the garbage channels that viewers were trying to ditch in droves by cutting the cable cord in the first place. You start out only wanting your favorite TNT dramas and suddenly you're paying $85 a month for a service tier including channels like Babyfirst and the Olympic Channel. The PlayStation Blog bids farewell to Vue.
Today we are announcing that we will shut down the PlayStation Vue service on January 30, 2020. Unfortunately, the highly competitive Pay TV industry, with expensive content and network deals, has been slower to change than we expected. Because of this, we have decided to remain focused on our core gaming business.
While sad to see Vue come to an end, it's probably for the best. Price increases and an increasingly lackluster library of channels weren't winning any fans, and while the service has 800,000 subscribers, it's long since been surpassed by services like Hulu's live TV service which boasts nearly 2,000,000 subscribers. It probably didn't help that by branding Vue with the PlayStation name, prospective customers assumed they would need a PlayStation to access the service which is not true; apps for mobile devices and set-top streaming boxes such as Amazon Fire TV have been available for years. There's also the baggage that the PlayStation name carries with it, implying to the uninitiated that the service is related to gaming instead of general television. I can't help but wonder if Vue had not been tied to the PlayStation brand and if it had stayed true to its mission of only offering small channel bundles that people wanted to watch for a fair price, it would have found success. There are already too many ways to overpay for channels we never watch. We certainly didn't need another option.
It's funny how sometimes when you least expect it the answers to long-running questions suddenly just appear. I remember eagerly making my way through an issue of Electronic Gaming Monthly back in 1992 and coming across a quick blurb discussing Sega's upcoming CD-ROM peripheral for the Sega Genesis and how the company was working on a CD version of the then-upcoming Sonic the Hedgehog 2. The article even had screenshots to back up the claim. Of course, now we know that the CD Sonic project became Sonic the Hedgehog CD and was its own thing compared to Sonic the Hedgehog 2, but those screenshots of Sonic holding a CD that Dr. Robotnik wanted to take from him didn't turn up in either game and ended up as lost gaming lore. The EGM piece states that the screens are from technical demo that may not end up as part of the final product, but now we know for certain that is the case as HiddenPalace.org has posted the original Sega CD demo for curious fans to discover.
Among the exhibits present at the show for the Sega CD was a technical showcase of what the Sega CD was capable of. The demo features everything that the Sega CD would be known for - full motion video, sprite rotation and scaling, a larger color palette, and CD quality audio, all presented in a neat five minute presentation running on actual hardware! This was one of the very first projects that the Sega Multimedia Studio would create before going on to create Jurassic Park for the Sega CD - a project that would end up taking over 20 months to complete. The demo features clips from then upcoming films such as Cool World, Batman Returns, and even a little clip from a Bugs Bunny cartoon (a clip from "The Big Snooze" no less)! While the demo is very sporadic with what it presents, almost seemingly random for the sake of throwing things on the screen, it's a nice demonstration of not only what the Sega CD could do, but what the Sega Multimedia Studio were capable of.
Unfortunately, not everyone present at the show was aware of what they were really seeing. Reports of a Sonic game exclusively for the Sega CD can go as far back as February of 1992 under the title "Super Sonic". With rumors of the upcoming Sonic 2 appearing at SCES 92, and the fact that expectations were set with the upcoming Sega CD, it's no wonder that the first instance of Sonic appearing on the Sega CD was misidentified as a new Sonic title. Each video game magazine at the time would take the same shots of Sonic (not of anything else from the demo, suspiciously) and would write how it was proof that the screenshots were of either an upcoming Sega CD exclusive title, a Sonic 2 port, or even a Sonic 1 port.
Of course all of the magazines of the day published articles "confirming" this demo as proof of a Sonic title for the Sega CD. Sonic the Hedgehog sold magazines back in his prime, and word on a new (or even old!) Sonic game for the new hardware would draw much more attention and interest than an article drying explaining the contents of a five-minute demo reel that only included Sonic for an moment. Today we'd call such articles clickbait, but back then it was just called "selling magazines". And speaking of Sonic CD, HiddenPalace.org has also released a series of eight in-development versions of the game spanning from early work to nearly finished product, so there's plenty for Sonic fans to check out this weekend. As a fan from way back who remembers reading about all of this stuff in magazines such as EGM, it's great to have a chance to see exactly what it all was and learn about its place in gaming history.
This article was originally published at Kombo.com on February 11, 2005.
Whenever danger faces the Lylat System, General Pepper turns to the heroes-for-hire Star Fox team to eradicate the enemy menace and restore civility to the solar system. The Star Fox team's battles against the twisted scientist Andross have become stories of legend, primarily because each title in the series has some level of notoriety surrounding it: the original Star Fox brought us the Super FX Chip, Star Fox 2 is still considered "the one that got away", Star Fox 64 rocked our world with the Rumble Pak, and Star Fox Adventures received more attention as the first and last Rareware title for the GameCube than for the actual gameplay itself. Now Nintendo and Namco have teamed up to create the latest installment of the Star Fox saga, Star Fox: Assault, and for the first time Fox McCloud and friends have to stand alone without new technology or nostalgia covering their backs.
One year after the events on Sauria the last of Andross’s troops are attempting to regroup near the planet Fortuna when Cornerian military forces engage the enemy fleet. Andrew Oikonny, the nephew of the late Andross and former member of the renegade Star Wolf team, is attempting to lead his hired troops to glory in a plan to follow in his uncle’s footsteps. The Star Fox team arrives just in time to pursue Oikonny to the planet’s surface where, without warning, a large creature plummets from space and crashes into the would-be emperor’s ship, destroying it. This interstellar visitor is no friend, however. It is an Aparoid, a member of a species of insectoid-like creatures that are devoted to consuming the resources and residents of neighboring solar systems. As the Aparoids invade the Lylat System the Star Fox team springs into action, determined to destroy the enemy menace.
Street Fighter may be Capcom's brawler bread and butter, but the company has other properties in its fighting game library. Consider Darkstalkers, the game that sets unique character versions of classic horror movie monsters such as vampires, werewolves, and mummies against one another for our entertainment. After making a minor splash in the arcades in the 1990s, the series has more or less been moribund outside of a compilation re-release for the Sony PlayStation 3 and Microsoft Xbox 360 and a daring promise from Capcom that "Darkstalkers are not dead!" except that, no, they totally are as the company has yet to follow up on a long-teased resurrection of the franchise. If you're late to the monster party, Gavin Jasper at Den of Geek gives you the lowdown on the franchise and its anime and wester cartoon adaptations, while Hardcore Gaming 101 takes you step by step through each game in the series. There are more Darkstalkers titles than you may think, but still not as many as they deserve.
At first, Capcom wanted to make a game based on the Universal Monsters, but the licensing fell through, so they just used more anime-style archetypes. Dracula became Demitri Maximoff, the Frankenstein Monster became Victor von Gerdenheim, the Creature from the Black Lagoon became Rikuo, and so on. Considering the play these characters would get as part of Capcom’s menagerie, it was definitely for the better.
Darkstalkers: The Night Warriors hit the arcades in 1994 and it kicked so much ass. On the surface, it was a Street Fighter clone, but it was different enough to stand on its own. It introduced air-blocking and EX attacks. The animation made Street Fighter II look stiff in comparison and everything was beaming with personality. Each character was distinct and popped with their mannerisms and unique animations.
Part of it came from the freakshow novelty of the early fighting games. Each game seemed to have a weirdo that stuck out and made you want to play them because of how different they appeared. Street Fighter had Blanka. Mortal Kombat had Baraka. Samurai Shodown had Gen-An. But Darkstalkers? Hell, almost the entire cast is made up of those kinds of characters. The most normal guys are a vampire and a succubus. And the succubus has literal batwings growing out of her back and head.
I fear that Darkstalkers true time to shine again was about ten years ago. If the series returned today, it would follow in the modern Capcom fighting game mold of extensive paid expansions as seen in Street Fighter V and Marvel vs Capcom: Infinite. No, a new Darkstalkers should have been the creative follow-up to Street Fighter IV. With so many fighting games pushing to be premier events unto themselves that are either supported for years with additional paid characters to fill out the basic roster or do not sell enough to meet expectations and are dropped by the publisher almost immediately, I don't know where a modern Darkstalkers could fit into today's gaming environment. That's a shame because the characters have so much personality and potential for storytelling.
Blake Grundman had a unique opportunity last week to play a preview version of the upcoming Star Wars: Jedi Fallen Order at a press event in California, so of course we're going to spend an hour discussing this Unchartedesque / God of Warish / Assassin's Creedy kind of game. Then marvel as Blake explores the recently opened Galaxy's Edge Star Wars section of Disneyland and then lingers around past closing to adventure his way through the empty park. Download this week's episode directly from PTB, listen with the player below, find us on Stitcher, subscribe via iTunes and Google Play, toss this RSS feed into your podcast aggregation software of choice, and be sure to catch up on past episodes if you're joining us late. Remember that you can reach us via , you can leave a message on the Power Button hotline by calling (720) 722-2781, and you can even follow us on Twitter at @PressTheButtons and @GrundyTheMan, or for just podcast updates, @ThePowerButton. We also have a tip jar if you'd like to kick a dollar or two of support our way.
When a Nintendo game really wants to commit to a gag, it goes all out to ride that joke as far as it can go. Chris Kohler at Kotaku raises the recent example of Luigi's Mansion 3 for the Nintendo Switch following in the footsteps of its predecessor titles by outfitting Luigi not with a Game Boy Horror from the original Mansion or a Dual Scream from the sequel, but with something much more red and failed.
Early on in the game, Professor E. Gadd gives Luigi a way to communicate with him as he trawls the many floors of the hotel. It’s his latest invention… the Virtual Boo. Nearly 25 years later, the Virtual Boy still fascinates video game likers for its sheer ridiculousness; a “virtual reality” system that projected monochrome red graphics in a headset to create a rudimentary 3D effect. It was pure out-of-left-field Nintendo, but this time it was way over the foul line, and Nintendo had to discontinue Virtual Boy within a year of its release.
I absolutely love this. The Virtual Boo! It's perfect and I didn't see it coming. Using the VB even shades the screen a familiar tint of red and headache and the upgrade cartridges for the device are shaped like the Virtual Boy game paks of days gone by. It's fantastic when a long-time game developer and publisher isn't afraid to poke a little fun at itself and leave its more recent fans wondering just what the hell is going on. The Virtual Boo gimmick feels like the culmination of a wonderful twenty-five-year-old in-joke and those of us who remember 1995 are in on the gag.
Great games don't die, they just get remastered. On this week's episode of the Power Button podcast, Blake Grundman and I spend an hour discussing three games from yesterday that are back for more today. The Legend of Zelda: Link's Awakening for the Nintendo Switch first appeared on the Game Boy in 1993 and consumes our first segment, then Blake takes us back into Destiny 2 to discuss elements of the original Destiny that have been upgraded for the sequel's latest DLC. Finally, I'm always eager to discuss 2009's Ghostbusters: The Video Game and the recently released Remastered edition is a perfect excuse to go on and on about what may as well be the third film in the franchise's mythology. Join us as we prove that everything old is new again. Download this week's episode directly from PTB, listen with the player below, find us on Stitcher, subscribe via iTunes and Google Play, toss this RSS feed into your podcast aggregation software of choice, and be sure to catch up on past episodes if you're joining us late. Remember that you can reach us via , you can leave a message on the Power Button hotline by calling (720) 722-2781, and you can even follow us on Twitter at @PressTheButtons and @GrundyTheMan, or for just podcast updates, @ThePowerButton. We also have a tip jar if you'd like to kick a dollar or two of support our way.